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Thursday, May 15, 2008

Mostafa Bakir

Mostafa Bakir

The artist is a prominent figure in the plastic art realm. The environment is unique; spacious desert, crude sun and breezy air. The outcome, thus, is wonderful; vivid pieces of work that toured the world from coast to coast. No surprise, it is Sinai, the oasis of peace.

Born on February 15, 1941, in Sinai peninsula, the little boy Mostafa Bakir, was utterly fascinated with this matchless spot, which he described as the gift of the nature.

Throughout his tour of giving, Mostafa Bakir has managed to hold 26 exhibitions where an array of terrific pieces of work have been displayed. In his eyes, Sinai is the hope, joy, and future. This was clearly reflected in the masterpieces he produced over years of complete devotion to the art.

Bedouin life, for sure, has contributed much to unshackle Bakir’s potentials, and his works are a piece of history telling how much traditions of Bedouins are peculiar.

The Bedouin-rooted artist went to Cairo to pursue his study, as he graduated from Faculty of Fine Arts, Cairo University, in 1966. He designed the logo of North Sinai governorate. "Sinai, Land of Peace" is the portrait he gave, as a gift, to the United Nations Secretary-General Kofi Annan.

Environment question comes at the very forefront of the artist’s priorities and along years of interacting with nature, he figured out that preserving environment is of sacred missions that should be given a great heed. Near 1500 world reportages were made on the talented-artist’s works, and they are all decorating his atelier in Al-Arish, which is deemed to be one of Sinai’s sightseeings.

In recognition of the role he played in accentuating this peculiar art, Bakir was awarded several domestic and international prizes. For six years straight, he managed to keep occupying first place at the local exhibitions held under the sponsorship of the Supreme Council for Youth and Sports.

Undoubtedly, this artist will remain a landmark in Egypt’s plastic art history, as he is the best to depict Bedouin life in Sinai.


Aisha Taymur

Aisha Taymur
(b. 1840 – d. May 2, 1902)

Aisha E'ismat Taymur was one of Egypt's most distinguished social activists, and also a poet/novelist.

Born into to a literary family, Aisha was sister to researcher/novelist Ahmad Pasha Taymur and aunt to playwright Mohammad Taymur and novelist Mahmoud Taymur.

Her father, of Kurdish origin, was member of the royal entourage and was keen on providing her with adequate education. She was well-versed in the sciences of the Holy Quran and Islamic Jurisprudence. She wrote poetry in Arabic, Turkish and Persian.

She put herself in charge of her brother Ahmad's education after their father died.

Aisha was married at age 14 and left with her to Istanbul. After he died, she returned to Egypt. Her daughter's death left her so distraught that it reflected in her poetry. Her poems mourning her daughter are the best there is in that genre in modern times.

Dr. Aisha Abdel Rahman Bint El-Shatei

Dr. Aisha Abdel Rahman Bint El-Shatei
(1913 – 1998)

December 1st, 1998 marks the death of Dr. Aisha Abdel Rahman was a prominent figure in Egyptian and Arab culture. In a male-dominated society, or harem-epoch, she rose from the common ranks to the university campus and later to the wider vistas of cultural life. She left behind a wide spectrum of students and scholars all over the Arab world.

She was born on Novemeber 6th, 1913 in Damietta. Her father was a graduate of Al-Azhar and later a teacher at a religious institute in the same town. He used to take her to religious sessions where she received the basics of reading and writing at the age of five. She started her regular education in 1918 at the pre-school Kuttab of the village. Both her grandfather and her mother exercised pressure on her father to allow her go to school.

She excelled in her study till she obtained her academic certificate. Later, she worked as a clerk at the girl's college of Quija, where she could command English and French.

When she was living in the town of Mansoura, Aisha used to publish a series of poems and articles in the Feminine Revival Magazine. When she finally settled in Cairo, the owner of the magazine asked her to undertake the linguistic revision and later she wrote the editorial. She also published some of her stories in the daily newspapers, besides Al-Helal, Al-Balagh and Kawkeb El-Sharq magazine.

She wrote under the pseudonym Bint El-Shatei so that her father would not know that she was writing in the press -- for traditions at that time were prohibiting Sheiks' daughters writing in the press. Since 1933, she was known by this pen name that gained due respect of readers and world universities.

Aisha, then, obtained the Baccalaureate and was promoted to a higher job as Secretary of the Girls' College, the then top governmental institute for the high-class girls. Al-Ahram daily published her articles on the Egyptian countryside and farmer's issues, which paved the way for her to join its editing staff.

She obtained her BA in 1939 to be nominated assistant in the Faculty of Arts. Then, she obtained the MA degree in 1941. The theme of her thesis was the Life of Abul-Alaa Al-Maari. In 1944, she obtained her PhD for her thesis Critical Research on Resalat Al-Ghofran (a Treatise on Forgiveness) of Al-Maari. In 1944, she married to her professor Amin El-Kholy, who died in 1969.

Dr. Aisha's Academic Positions

• Professional Chair of Arab Language and Literature, Ain Shams University.

• Member of the Arab Language Permanent Committee of the Supreme Council of Universities.

• Member of the Supreme Council for Arts and Literature, Cairo.

• Delegate Professor to the Institute of Arab Researches and Studies operating under the Arab League.

• Visiting Professor to the Islamic Umm-Durman University, Khartoum, Cairo University (Khartoum Branch), the Qarawyeen in Fez Morocco and the University of Algiers.

Her Publications

Dr. Aisha contributed much to the Arab library with valuable publications and researches, the best of which were her masterpieces in Quranic and Islamic studies; The Prophet's Mother, The Prophet's Wives, The Prophet's Daughters, Al-Sayeda Zeinab, Sukaina Bint Al-Hussein. These works were translated to the Persian, Urdu and Indonesian among others.

Dr. Aisha likewise published numerous researches such as The Islamic Concept for the liberation of Women, the Glorious Qur'an and Human Rights, the Qur'an and Geography, Woman in Islam, the Qur'an and the Problem of Synonymity, Divorce and its Impact on the Arab Society. She also published Al-Mohkam Dictionary of Ibn Sida, Resalat Al-Ghofran, The Values of our Old and Contemporary Literature, Our Legacy Between the Past and the Present, Our Language and Life, Contemporary Arab Poetess, Abu Alaa Al-Maari, The Peaceful City on the Life of Abu Al-Alaa Al-Maari and The Zionists; The Enemies of Humanity (issued one year after the defeat of June 5, 1967).


Dr. Abdul Qader al-Qot

Dr. Abdul Qader al-Qot

Within days of being awarded the Mubarak Prize for literature, Dr Abdul Qader Al-Qot died.

He was 86. But his work, the product of a versatile and open mind, has left an indelible mark on Egyptian culture. His advanced years in no way hindered him from taking an active part in various culture activities.

Al-Qot was the last of the old school of critics, characterised by their reasoned debating style, thorough study, and ground-breaking ideas.

As a university professor, he was keen to pass on his knowledge and ideas to his avid students.

His legacy includes the only anthology of his poetry, Memories of Youth, which bears the stamp of neo-romanticism. Poetry was one of his special interests.

Among his works on Arabic literature in general are The Arab Poetic Concept, Emotional Tendencies in Modern Arabic Poetry, Word and Image, The Art of Drama, and The Art of Translation. As an academic, he produced several research papers and examined MA and PhD theses.

Dr Gaber Asfour, Secretary-General of the Supreme Cultural Council (SCC) said that Egyptian culture suffered a great loss of one who personified the Enlightenment.

"Al-Qot was educated in the ways of debate and respect for the opinions of others.

He combined modesty and academic boldness," Asfour said, adding that Al-Qot allowed himself to go with the flow of innovative trends in Egyptian literature, and was flexible and open-minded enough to encourage new modes of expression, provided that they conformed to accepted taste.

Dr Salah Fadl, chairman of Darul Kotob, wrote an article about professor Al-Qot, entitled The Presence of a Luminary because Al-Qot impressed those who knew him with his profound, yet calm spirit of a true scholar.

He was not so much a mentor, more a father-figure in the way he gave advice and guidance, Dr Fadl said.

Even in his eighties, Al-Qot's intellectual powers were sharp, and he was ever tolerant and understood the true meaning of freedom of expression.

"Al-Qot was constantly in the pursuit of knowledge, he refused to stand still," Dr Fadl said.

Dr Mohamed Abdul Moteleb, head of the Arabic language Department at Ain Shams University, said that Al-Qot represented an age of chivalry, following in the footsteps of pioneering thinkers and writers such as Mohamed Abduh, Qassem Amin and Taha Hussein.

He was not just an academic. He took an active part in cultural activities. At different times, he was chief editor of several esteemed magazines - The Magazine, Poetry, Creativity and Theatre.

He was chairman of the SCC Poetry Committee and was a regular contributor to Al Ahram daily newspaper.

Above all, he took it upon himself to encourage new trends in literature and criticism and wrote critical analyses on the works of young authors.

A private audience with Al-Qot was rich in spontaneity and extempore speeches on literature, politics, art, sports and religion. He sponsored a weekly cultural seminar.

His retentive memory could stretch back to the 1940s with glittering and witty anecdotes.

"To his students he was the paragon of relentless researcher, of which his ilk are rare these days.

Many debate whether as a scholar, he was the product of a balanced humours, or whether he was the product of profound knowledge," Professor Mona Tolba of Ain Shams University said, adding that he was honest and devoted to his career that,unlike many professors these days, he read every word of post-graduate theses and offered his students all manner of guidance and references.


Abdel-Rahman al-Sharqawi

Abdel-Rahman al-Sharqawi

Abdel-Rahman AL-Sharqawi was a leading multi-talented intellectual. During the late forties, he was one of the leading pioneers of the innovative movement in Arabic poetry, as well as a major exponent of the social realistic trend in literary criticism. In poetry, he was a pioneer of a new trend of Arabic poetry. He also introduced a totally new social moral, ideological and critical approach to biographies of major Islamic figures.

Above all, Al-Sharqawi was a prominent press writer and political activist, mainly involved in the defence of democracy, social justice, religious tolerance and true faith. Born in a village in Menoufia governorate, he graduated in the Faculty of Law in 1943.

An Innovative Poet

When AL-Sharqawi published his long poem "Message of an Egyptian Father to President Truman" in 1951, leaders of poetry had not realised that a total revolution in Arabic poetry had been in the making. This epic poem with its political and emotional content had a far-reaching impact on the modern Arabic poetry, not only in terms of its vibrating and fluctuating rhythm, but also its structure and texture and the poet's concerns.

An Innovative Novelist

AL-Sharqawi's first novel "The Earth", published in book form in 1954 (after being serialized in 'AL Masri" daily during 1953), had a similar resounding impact. The novel was the first embodiment of literary "Realism" and a departure from Al-Hakeem's symbolism reflected in "Restoration of the Soul" and "Journals of a Prosecutor in the Countryside". The novel expressed the social struggle between feudalism and Egyptian peasants prior to the 1952 Revolution.

<A Dramatist

AL-Sharqawi's pioneering role further extended to poetic drama, when he first published his premiere poetic play "Tragedy of Jamila" in 1962, highlighting the struggle of the Algerian nationalist heroine against French occupation. The artistic merit of the play rested not only on its being the first drama in modern poetry, but also on its epic-like semi-narrative style. However, AL-Sharqawi's epic style tended towards popular folkloric biographies of ancient Arab heroes such as Antara , the most renown Arab knight-poet. The play had a strong stimulating effect on the dramatic movement in Egypt and Arab countries, looking forward for a special nationalist dramatic (norm).

An Innovative Interpreter of Islamic Biographies

His outstanding book "Muhammad: the Messenger of Freedom", published in 1962, was also a real breakthrough in writing biographies of Muslim leaders. In this book as well his other published works on the lives of the well-guided Caliphs (Abu Bakr, Omar, Othman and Ali) and major leaders of jurisprudence and Sunna, he was not concerned with detailed account of their biographies. He was, rather, interested in those incidents and works that expressed the values of freedom, justice, reasoning, tolerance and indivisible association between faith and knowledge rather than ignorance.

Positions

AL-Sharqawi often contributed to leftist publications, although he has never joined any leftist organisations. His tendencies were rather nationalist and purely democratic. In the press he was once Chairman of the Board of Directors and Editor-in Chief of the famous Egyptian Rose El Youssef magazine.

He also occupied important positions at the Secretariat of the Afro-Union Solidarity Organization and the Supreme Council of Arts and Letters (now: the Supreme Council of Culture)

Awards

* State Merit Prize for Literature (1974)
* The Order of Letters and Arts of the First Class

Major Works

"AL- Hussein, a Revolutionary and Martyr", "Red Eagle, Orabi, Leader of Peasants," "Muhammad: the Messenger of Freedom", "AL- Farouq Omar", "Ali, Leader of Pious", "AL- Saddeeq, the First Caliph", among others.


Abdel-Rahman al-Raf'ee

Abdel-Rahman al-Raf'ee
(1905-1992)

Abdel Rahman al-Raf'ee is known as the historian of modern Egypt. His writings have been highly influential on modern Egyptian historical thought. Although he was also a prominent lawyer, member of the Parliament and minister, al-Raf'ee was best known as a historian.

Birth and Education :

Born in Cairo on February 8, 1889, he received his primary and secondary education mostly in Alexandria. In 1908, he graduated from the Faculty of Law. As a student of law, he used to call frequently at al-Liwaa newspaper, where he came in contact with the nationalist leader Mustafa Kamel.

Career:

Al-Raf'ee worked as a lawyer for a short time, but soon abandoned the profession for journalism. He joined al-Liwaa newspaper as an editor, associating with the nationalist leader Mohammad Fareed who succeeded Mustafa Kamel as Editor-in-Chief.

He cooperated with the National Party's young members in establishing night schools, and providing free education to the poor and working class.

• In 1911, he accompanied Muhammad Fareed in a European tour.

• In 1915, he was detained for one year on account of his political memoirs, which were found by the police.

• In 1919, he joined a number of nationalists in a campaign to popularise agricultural trade unions. He was also involved in the 1919 Revolution activities.

• In 1924, he was elected a member of the Parliament representing the opposition National Party, and lost his parliamentary seat in 1926.

• In 1932, he was appointed Secretary to the National party.

• In 1949, he was appointed Minister of Supply.

• He warmly welcomed and supported the July 23,1952 Revolution.

• He was appointed Head of the Egyptian Bar Association in 1954.

• In 1958, he was re-elected member of the Supreme Council of Arts, Letters and Social Sciences.

• He was awarded State Merit Prize for Social Sciences in 1961.

Writings:

Al-Raf'ee's writings covered almost all stages of Egypt's modern history as follows:

• History of the National Movement and Evolution of the Governmental system in Egypt (two volumes).

• The Age of Mohammad Ali.

• The Age of Ismail (two volumes).

• Orabi Revolution and British Occupation.

• Egypt and Sudan during the Early Years of Occupation.

• Mustafa Kamel: Motive Force of National Movement.

• Mohammad Fareed: A Symbol of Sacrifice.

• The 1919 Revolution (two volumes).

• In the Wake of the Egyptian Revolution (three volumes).

• Preludes to the July 23, 1952 Revolution.

• The July 23, 1952 Revolution: Egypt's National History in Seven Years.

• Revolutionary Leader: Ahmad Orabi.

• Gamal Eddin al-Afghani.

• Egypt's Struggle in Modern Times.

• My Diary (1889 - 1951).

• Fourteen Years in Parliament.

• Poets of Patriotism in Egypt.

• Analysis of the 1936 Treaty.


Kamel Keilany

Kamel Keilany

Kamel Keilany is an eminent figure of modern Arabic Literature whose marvellous works, recorded by the literary history genuinely qualities him as "the pioneer of children's literature and the chairman of a writ-ers .

Childhood and Education

Kamel Keilany was born on Oct. 20,1897, in a popular quarter of Cairo, near Muqu'tam Mountain; and growing up in such ambience redolent of legends and songs, he was accustomed to an early solitude, which gave him the opportunity to read, assimilate and memorize more than 20 thousands of elite verses of Arabic poetry. Keilany also memorized the Holy Qu'ran at the Kuttab (the pre elementary religious schools which existed in Egypt and the Orient on the late 19th and early 20th to teach Children the Holy Qu'ran.

Keilany later joined the primary and secondary education to finally obtain the Baccalaureate Certificate. He immersed himself in studying English literature and memorizing English poetry; he likewise studied Fre-nch.

Keilany then joined the old Egyptian University where he distin-guished himself. There, he planned to study Arabic, English and French literatures, and decided at the same time to join the school of Dante Alighioni to study Italian literature; He was the schoolmate of prominent Egyptian men of letters such as Drs. Zaki Mubarak, Abdel-Wahab Azzam, Hassan Ibrahim and others.

Professional Career:

Dominant of English and French languages, and being acquainted with Italian language, he was qualified to work as teacher of English and translation in a preparatory school. Keilany then worked in the Ministry of waqfs (Islamic endowme-nts), to finally assume the post of "Secretary of the Higher waqfs Coun-cil in 1954.

Concurrently, he worked in the domains of Journalism and Art. He assumed the post of "President of Modern Actors' Club in 1918, then Edi-tor-in-chief of El-Ragaa (The Hope) found in 1922, to later become Secre-tary of Arabic Literature Society from 1922, to 1932.

Keilany: the Man of letters:

Keilany's literary talent sprouted and flowered nourished by: - The influence of his uncle who fostered him while young. He was a rich source of tales and a good narrator. He used to tell kam-el, the child, an abundance of bedtime stories, where by the child came to love reading stories. The influence of a friend semi-illiterate and semi-philosopher who used to tell Keilany the story of Seif-Ibn-thi Yazan which had an impact on his writings. The influence of his highly well-educated Greek governors who used to tell him the legendary Greek stories.

Keilany also used to listen to the popular poets chanting poems of heroism on their rebukes.

that was due to the glamour and splendour he found in foreign children's sto-ries hence his specific trend towards children's literature, he wrote his first story of the kind, "Sindibad, the Sailor" in 1927, to be followed by more than 200 titles, legendary, historic, geographic and universal.

He was a coeval of the intellectual renaissance on Egypt to which he contributed from the beginning, suffering very much consequently.

By the outbreak of the Egyptian Revolution, Keilany composed new enthusiastic poetry, giving proof of his sincere patriotism.

Keilany's Literary Works

He made his first attempt in writing during his primary education in 1908. But later he translated Andolusian literature and verified "Resalat El-Ghofran" or (Treatise on Forgiveness, written by the blind Arab poet Abu-al-Alaa AI-Maari). Some scholars assert that the Treatise on Forgive-ness influenced Dante in his composition of the Divine Comedy, and that many of its quatrains had a strong influence upon the poetry of Omar Khayyam. Keilany also explicated Ibn El-Roumi's poetical works, Regards in the Islamic History, masterpieces of western stories, criticism. He wrote on trips title "Memories of Brethren Countries". He published numerous books on different topics such as literature, Religion, morals, grammar, criticism, comedy, the Prophet Mohammed (God's blessing and peace upon him) and his companions. Keilany also composed poetry. But he focused more on the pedagogics of children, he established a school for the literature of children's tales.

State Honours

Keilany faced all sorts of handicaps, but he could pave the way for the establishment of children's literature; consequently he was honoured by the State and appreciated by writers and prominent figures of letters from Arab and Oriental Countries-honours and appreciation which he was very keen to spotlight on the first pages of his publications. A primary School on Old Cairo now bears the name of Kamel Keilany. Also there is the Kamel Kei-lany Prize sponsored by the supreme Council for Arts and Literature, is de-dicated for children's literature.

Keilany's Works and the "Reading for all Festival"

Keilany's literary works for children constituted an important part of the comprehensive National Program of "Reading for all Festival" under the auspices of Mrs. Suzanne Mubarak, side by side with the works of a wide group of outstanding writers and men of letters.

Inaugurated in 1991, by the first lady, this festival joins the efforts of all organs in the country, official and non-official, especially those of In-formation and Culture Ministries; millions of different-aged children par-ticipated in these festivals.

It is worth mentioning in this respect that Mrs. Mubarak is very much concerned with the establishment of numerous Public and School Libraries under the auspices of Integrated Care Society to simplify books written by eminent authors and make them available, gratis or at low prices to people unable to afford them.

The innovated Festival, now, in its seventh year, tends to make for the foundation of open reading clubs on the shores and everywhere, including sectors for talented children, experimental workshops built on the idea of video-copied spontaneous creativeness of children without interference from the part of their Tutors. A film library for children is also planned for. Fifteen new palaces of culture were opened, renovated and restored in different Egyptian governrates.

Kamel Keilany died on Jan. 10, 1959, leaving behind a valuable heri-tage of publications on Arabic Literature in general and children's literature in particular.


Louis Awadh

Louis Awadh

Dr. Louis Awadh is a prominent scholar, intellectual and literary critic. His far-reaching influence as a literary critic and dedicated scholar extended to the entire canvas of Egyptian and Arab cultural, literary and artistic scenes.

He was a genuine and exemplar intellectual who combined a firm belief in the freedom of man and the spirit of civilization and culture. He was deeply involved in the concerns of his own time, untiringly advocating new values, always associating education to the liberation of the intellect from the domination of superstitions and of man from oppression. His career was a series of literary debates, which always attracted lengthy literary controversies throughout his lifetime.

His writings were highly controversial and oftentimes going to extremes exceeding, in some cases red tape. During his career, he raised many controversial issues. As an example, he advocated, during the forties the writing of poetry in colloquial Arabic and the discarding of traditional poetic rhythm.

During the Fifties, he called for the principle of "literature for life". In association of his generation of critics and poets, such as Salah Abdel Sabour, he successfully established the "legitimacy of modern poetry".

Dr. Awadh was influenced by such interactive cultural elements that combined to give him a revolutionary inclination, manifesting itself into a constant pursuit of everything new and dissatisfaction with traditional and prevailing intellectual, cultural and creative values.

He had a firm belief in the "Unity of Culture in the World" According to him, it is easy to acquire a vocation, but it is difficult to adopt literature as a profession.

He also believed that applied criticism is the real criticism, thus making literary criticism available and integrating the cultural climate into the texture of the community. Dr. Awadh was highly concerned with meticulous linguistic structure of his literary works. It should be noted that he was strictly committed to expressing himself in genuine classical Arabic in his own highly structured, elaborate style, although once he was an advocate of writing in colloquial. In all his writings he was interested in issues related to the people's life. His life span of 75 years was continuous series of independent intellectual work.

Dr. Louis Awadh was born in an Upper Egyptian village in Al Minya Governorate on December 21,1914, to a middle class family.

He spent the first five years of his life in the Sudan, where his father was employed. He was greatly influenced by his father, when as a child, he started to use his father's large library, which mostly contained English books, dealing with Western thought in general.

When his family moved back to the city of Al Minya, he joined "Les Freres" School, then the primary school, where he completed his primary education in 1926.

In 1931, he completed his secondary education. He decided to join Cairo University English Department, but his father refused. In view of his insistence, he could join the Department of his choice, two years later. In 1937, he graduated and started his initial steps in the world of the press. He contributed several articles on literary criticism in newspapers like Kawkab Al Sharq, Al Jihad, Al Wadi among others. He also co- edited Al Nahdha Al Fekria Magazine.

In 1940, Dr. Awadh obtained his Ph.D at Cambridge University, England. When he was appointed lecture at the Cairo University English Department, he posed not merely as a university professor, but actually as an intellectual of a calibre, that is usually common during periods of transition where barriers between pure knowledge and real life virtually vanish.

His extremely liberal views caused many troubles to him; in 1954 he was discharged from the university and as imprisoned during the Fifties on account of his political views. His political debates were more famous than his literary involvement. Of his most famous literary debates was that where he engaged with the great Arabic linguist Mohmoud Shaker who, himself had been engaged in many literary battles, could defeat Awadh, giving him a hard lesson on how to deal with literary text. The defeat was so severe that Awadh resigned his post as cultural advisor to Al Ahram Daily.

The resignation was, however rejeted by the then Editor-in-Chief of Al-Ahram: Mohammad Hasanien Haikal.

His pungent critiques led to many literary feuds with Arab Nationalists, communists and socialists In spite of his declared adoption of his writings, he always instigated freedom of thought. His successive literary debates were meant to open new prospects of thought and research. Although Awadh's areas of difference with this contemporaries were for wider than areas of agreement, undoubtedly nobody can deny his outstanding status as a scholar, intellectual and thinker.

Dr. Louis Awadh made wide contributions in all aspects of litertary life. As a scholar, he was equally well-versed in both Arabic and Western literatures, with a deep insight into the relationship between the East and the West. He enriched the Arabic library with 50 books. Dr. Awadh will be always be remembered as an untiring militant intellectual and a source of construtive controversies.


Abdel-Fattah al-Kussary

Abdel-Fattah al-Kussary

Born on April 15, 1905, Abdel-Fattah al-Qossari is considered one of Egypt's most distinguished comedians. He was almost always cast as an illiterate, who thinks that he knows everything when turns out that he does not.
He graced Egyptian cinema in over 60 films which include:
Sokkar hanem
Ismail Yassin in the madhouse
Ibn Hamido
Ismail Yassin meets Rya and Sakina
Miss Hanafi
As you wish
Shamshoun and Libleb
House of ghosts
He wants to get married
Friday night
The black market
If you were rich
The accused
Si Omar

Al-Qossari died in 1965.

Henry Barakat

Henry Barakat

Date of Birth

1912, Egypt

Date of Death

1997

Awards

2 wins & 3 nominations

Berlin International Film Festival
Year
Result
Award
Category/Recipient(s)
1960
Nominated
Golden Berlin Bear
Doa al karawan (1959)
1959
Nominated
Golden Berlin Bear
Hassan wa Nayima (1959)
Cannes Film Festival
Year
Result
Award
Category/Recipient(s)
1965
Nominated
Golden Palm
Haram, El (1965)
Jakarta Film Festival
Year
Result
Award
Category/Recipient(s)
1964
Won
Best Film
Bab el maftuh, El (1964)
Valencia Festival of Mediterranean Cinema
Year
Result
Award
Category/Recipient(s)
1984
Won
Special Mention
Leilet al quabd al Fatma (1984)

Filmography

Director:

1. Leilet al quabd al Fatma (1984)
2. Ualla azae lel sayedat (1979)
3. Afwah wa araneb (1977)
4. Habibati (1975)
5. Nagm fi hayati (1975)
6. Kheit al rafeigh, -al (1971)
7. Hob al kabir, -al (1969)
8. Bint El-Harass (1967)
... aka Fille du gardien, La (Lebanon: French title)
9. Lailat el zafaf (1966)
... aka The Wedding Night (International: English title)
10. Safar barlek (1966)
11. Shaia fi hayati (1966)
... aka It Happened During My Life (International: English title)
12. Haram, El (1965)
... aka The Sin (International: English title)
13. Amir el dahaa (1964)
... aka The Crafty One (International: English title)
... aka Vengeance of the Desert (USA: dubbed version)
14. Bab el maftuh, El (1964)
... aka The Open Door (International: English title)
15. Salassel min harir (1963)
... aka Silken Chains (International: English title)
16. Yomun bala ghaden (1962)
... aka A Day Without Tomorrow (International: English title)
17. Fi baitina rajul (1961)
... aka A Man in Our House (USA: DVD box title)
... aka There Is a Man in Our House (International: English title)
18. Shatie el hub (1961)
... aka Love Beach (USA: DVD box title)
... aka The Shore of Love (International: English title)
19. Hassan wa Nayima (1959)
... aka Hassan and Nayima (International: English title)
20. Doa al karawan (1959)
... aka The Curlew's Cry (International: English title)
... aka The Nightingale's Prayer
21. Irham hubbi (1959)
... aka Have Pity on My Love (International: English title)
22. Malish gherak (1959)
... aka I Have No One But You (International: English title)
23. Hatta naltaki (1958)
... aka I'll See You (International: English title)
24. Banat el yom (1957)
... aka Girls of Today (International: English title)
25. Mawad gharam (1956)
... aka Appointment with Love (International: English title)
26. Kusset hubi (1956)
... aka The Story of My Love (International: English title)
27. Ayyam wa layali (1955)
... aka Days and Nights (International: English title)
28. Hadassa zata laila (1955)
... aka It Happened One Night (International: English title)
29. Irham demoui (1955)
... aka Pity My Tears (International: English title)
30. Ana el hub (1954)
... aka I Am Love (International: English title)
31. Daiman maak (1954)
... aka With You Forever (International: English title)
32. Ressalet gharam (1954)
... aka The Love Message (International: English title)
33. Ana wahdi (1953)
... aka I Am Alone (International: English title)
34. Ghaltet ab (1953)
... aka A Father's Mistake (International: English title) 35. Hukum el zama (1953)
... aka The Rule of Time (International: English title)
36. Kalbi ala waladi (1953)
... aka I Fear for My Child (International: English title)
37. Amal-el hawa malush (1952)
... aka Love Has No Remedy (International: English title) 38. Lahn al khouloud (1952) ... aka Immortal Song (International: English title)
39. Ma takulshi la hada (1952)
... aka Don't Tell Anyone (USA: DVD box title)
... aka Mat'culch le had (USA: DVD box title)
40. Min al kalb al kalb (1952)
... aka From One Heart to Another (International: English title)
41. Ward el gharam (1952)
... aka Flowers of Love (International: English title)
42. Amir el antikam (1951)
... aka The Count of Monte Cristo (International: English title)
43. Maalesh ya zahar (1950)
... aka Just My Luck! (International: English title)
44. Shati el gharam (1950)
... aka Shore of Love (USA: DVD box title)
... aka The Shores of Love (International: English title)
45. Afrita hanem (1949)
... aka Lady Afrita (International: English title)
... aka Lady Genie (USA: informal English title)
... aka Little Miss Devil (USA)
... aka The Genie Lady (USA: informal English title)
46. Ikab, El (1948)
... aka Punishment (International: English title)
47. Sagua el lail (1948)
... aka Quiet Nights (International: English title)
48. Wajeb, El (1948)
... aka Duty (International: English title)
49. Habib al omr (1947)
... aka The Love of My Life (International: English title)
50. Khanum, El (1947)
... aka The Lady (International: English title)
51. El-hanim (1946)
52. El-qalb louh wahid (1945)
... aka The Heart Has Its Reasons (International: English title)
53. Haza ganahu abi (1945)
... aka This Was My Father's Crime (International: English title)
54.Imma guinan (1944)
... aka What Madness! (International: English title)
55.El-charid (1942)
... aka The Wanderer (International: English title)
56.El-muttahama (1942)
... aka The Suspect (International: English title)
57.Law kunt ghani (1942)
... aka If I Were Rich (International: English title)

Writer:

1.Leilet al quabd al Fatma (1984) (screenplay)

2.Ualla azae lel sayedat (1979) (screenplay)

3.Hob al kabir, -al (1969) (scenario and dialogue)

4.Bab el maftuh, El (1964) (screenplay)
... aka The Open Door (International: English title)

5.Hassan wa Nayima (1959) (writer)
... aka Hassan and Nayima (International: English title)

6.Doa al karawan (1959) (writer)
... aka The Curlew's Cry (International: English title)
... aka The Nightingale's Prayer

7.Banat el yom (1957) (screenplay) (story)
... aka Girls of Today (International: English title)

8.Mawad gharam (1956) (story)
... aka Appointment with Love (International: English title)

9.Irham demoui (1955) (scenario)
... aka Pity My Tears (International: English title)

10.Daiman maak (1954) (story and scenario)
... aka With You Forever (International: English title)

11.Lahn al khouloud (1952) (screenplay)
... aka Immortal Song (International: English title)

12.Afrita hanem (1949) (story)
... aka Lady Afrita (International: English title)
... aka Lady Genie (USA: informal English title)
... aka Little Miss Devil (USA)
... aka The Genie Lady (USA: informal English title)

13.Ikab, El (1948) (story & scenario)
... aka Punishment (International: English title)

14.El-hanim (1946) (story & scenario)

Producer:

1.Hob al kabir, -al (1969) (producer)

2.Bab el maftuh, El (1964) (producer)
... aka The Open Door (International: English title)

Editor: 1.El-arris el-khamis (1941)
... aka The Fifth Suitor (International: English title)

Editorial Department:
1.Warsha, El (1941) (montage)

Omar al-Sherif

Omar al-Sherif

Real Name: Omar El Sherif

Birth Date: 15/2/1931

Place of Birth: Alexandria

Omar El Sherif, Othersie known as Michel Demitry Shalhoub, isn't only an Egyptian star but an International one as well. He was born in Alexandria, where he studied at Victory College.

He was discovered by Youssef Shahin who directed movies specially tailored for El-Sherif such as Serae Fe El Wady. He married the famous Egyptian actress, Faten Hamama, and had a son, Tarek. The two starred together in such films as Nahr El Hob and Sayedat El Kasr. Shortly after El Sherif's success propelled him to International fame, the two divorced. Omar El Sherif received an Oscar award nomination for a supporting role in the movie "The Lawrence Of Arabia".

He has also starred in Italian, American and French movies. Throughout the years he was living abroad, he worked on Egyptian radio series like: "Anf wa Talit O'uon" and "El Houb El Dae'e". In the nineties, El Sherif took up permanent residence in Egypt and now spends his time between Cairo and Alexandria.

Adel Imam

Adel Imam

Name: Adel Imam

Birth Date: 17/5/1940

Biography: Adel Imam was born in Mansoura, Egypt and relocated to the district of Sayeda Zeinab in his early childhood. His father worked for a governmental institute. He obtained his bachelor's degree from the Faculty of Agriculture at Cairo University. His career started as a fulfillment of a hobby, which was acting. He began acting in drama groups throughout school.

He joined theater groups in 1962 when he was still a student in university. Because he could not dedicate all of his time to acting, he opted for minor roles. It was through these roles, that his potential as a great comedian was discovered. He played the role of Dissouky Effendi in the comic play Ana Wa Howa Wa Hiya (Me, Him, and Her) in 1962. He then starred in the comic play El Nasabeen (The Thieves) in 1966. Followed by his subsequent role in El Pajama El Hamra (The Red Pajama) in 1967.

His classic play Madrassat El Moshaghibeen (Troublemaker's School) was such a success that it continued to be performed for four years (1971-1975). Afterwards, he took the leading role in Shahed Mashafsh Haga (Witness Who Has Nothing Seen) in 1975. The play continued to be performed for seven years.One of his most famous plays, El Wad Sayed El Shaghal (The Male Maid) also ran its performances from 1985 to 1993 which was followed by El Zaeem (The Leader) which also ran for an extended period of time. This proves that Adel Imam's comedy withstands time. His true talent is in his ability to appeal to a cross-generational audience and make them laugh. Adel Imam fears time and distance although his comedy has bridged both.

His roles has been a commitment to elevating cinema standards and delivering the best performances to his audiences. On a personal level, Adel Imam is married with three children. His wife has played a pivotal role in his career taking care of him and his three children. He is an expressive and emotional person. He is also a reflective man who adopts personal philosophies to life situations.

His smile is warming and he has a kind-hearted nobleness to his persona. He is also a well-read man who reads voraciously on all worldly subjects.

Abdu Saleh al-Wahsh

Abdu Saleh al-Wahsh

A former football player, he was also President of Al-Ahly Club. Al-Wahsh was born on May 9, 1929 at Sayyeda Zeinab, Cairo – Egypt.

Coached Al-Ahly's First Football Team (1959)

Worked as Educational Supervisor in Kuwait (1963) for five years

Returned to coaching Al-Ahly (1967)

Became President of Al-Ahly Sporting Club (1988 to 1992)

Was director of the technical department at the African Football Federation (1982)

Elected interim President of the Egyptian Football Federation (2000)

One of the eight experts on the FIFA Technical Committee


Tahani Tosson

Tahani Tosson

Date of birth

September 22, 1972, Minya, Egypt

National Volleyball Team Captain Tahani Tosson was Egypt's primary weapon in African (9 times) and local Ahly wins (15 times). She displayed enough powerful hits and subtle touches at the net to keep her opponent's defense on its toes.

Hassan Shehata

Hassan Shehata

As former Zamalek Club player and as National Team coach, Hassan Shehata has earned the title: "Master of Egyptian Football". He is the only Egyptian footballer to be chosen best player in Asia in 1971 when he played for the Kuwaiti Kazhmah Club, pulling up it from third to first league team. He was so excelled that the Kuwaiti Armed Forces recruited him to take part in the World Military Football Championship in Bangkok, Thailand.

Shehata was born in June 1947 to a sports-loving family. He started playing football at age 10 as a primary stage student at Kafr al-Dawar school.

Zamalek, Shehata's local club, incorporated a clause in his contract with Kazhmah which made it possible for him to play for Egypt's national team. In 1969, he participated in his first international match against Libya. Since then, he became the team's number one player, with the formation being built around him. During his career as a player, he took part in 70 international matches and four African Championships.

Shehata left Kazhmah Club in October 1973, playing one game with Zamalek on October 5, only to have the 1973 October War break out a day later. In 1974, Cairo hosted the African Cup of Nations championship in which Shehata was crowned best player.

With a long résumé of training Zamalek, Suez, Minya and the Arab Contractors clubs, he was chosen to coach the National Team in 2005. Under his tenure, Egypt won the Africa Cup of Nations – 2006 – Cairo, Egypt, the Pan-Arab Games – 2007 – Cairo, Egypt and the Africa Cup of Nations – 2008 – Accra – Ghana.


Thabet al-Batal

Thabet al-Batal

Thabet al-Batal is one of Egypt's famous goal keepers. He was born on September 16, 1963 and played for Al Hawamdia club until he was discovered by Abdu Al Bakal, the famous talent-spotter. He joined Ahly team in the 1972/1973 season beginning his career in the friendly match between Ahly and Ittihad when he prevented a score from a penalty kick ensuring a 1/0 win for Ahly.

Thabet El Batal helped Ahly win the league championship several times and after 17 whole seasons, he retired in the match between Ahly and Aswan in 1991.

Thabet al-Batal has a long record with the Egyptian National Team. He joined the squad in 1974 and in 14 years he secured a lot of wins. The most prominent was that of the Africa Cup of Nations in 1987. He also played with National in the Olympics.

After retiring as goal-keeper, al-Batal coached Al-Ahly and succeeded in securing 5 successive league championship wins, 1 Egypt Cup championship win, 2 Arab Cup Winner Cup championship wins and 2 Super Cup championship wins.


Mahmoud al-Khateeb (Bibo)

Mahmoud al-Khateeb (Bibo)

One of the most famous footballers known to Egypt, al-Khateeb –nicknamed Bibo – was born on October 30, 1954 in Aga – Daqaheleya. He later moved to Cairo where he played for al-Nasr team before Ahly's talent-spotters discovered and signed him on to the team's football squad in 1971.

For 16 years, Al-Khateeb played for Al-Ahly. During that time he helped secure a ten-time-win of Egypt's League Championship and a five-time-win of the national Cup Championship; al-Ahly also won the African Cup Winners' Cup 3 times and the CAF Champions League twice.

* Achievements:

* Personal

• African Footballer of the Year (Ballon D'Or) by France Football magazine 1983.

• Arab Sportsman of the 20th Century.

• Best Egyptian Player in the history of the game.

• Has 108 goals for Al-Ahly in his name in the Egyptian league.

• Top Egyptian League Scorer twice (1977/78 & 1980/81)

• African Club Cups' All-time Top Scorer (37 goals).

• Second best African Footballer in the last 50 years by the CAF.

* Al-Ahly

• 10 Egyptian League titles

• 6 Egyptian Soccer Cup titles

• 2 African Champions League titles

• 3 African Cup Winners Cup titles


Muneer Murad

Muneer Murad
(b. January 13, 1922; d. October 17, 1981)

Birth name:
Maurice Zaki Murad

Place of birth
Cairo, Egypt

Muneer Murad was a versatile artist, whose musical compositions were both light and fun-to-listen-to. In his early beginnings he acted in films such as "naharak said" (Have a Nice Day).

Murad was born to a father who composed music. As he grew up, he found that his elder sister Layla was already singing in the Radio. In 1939, he left college and took a number of odd jobs before sneaking his way into the movie business. He worked as an assistant to director Kamal Selim on 20 film projects in the 1940s.

His music compositions had a touch of western Jazz, which made them difficult to grasp by the Egyptian audience. His breakthrough, however, came when he put the music to Shadia's song "wahed .. etneen".

Murad wrote the score of songs that were sung by promising vocalists in Egypt and other Arab countries. His was quicktempo.

Murad converted to Islam and was married to the now-retired actress Soheer al-Babli.


Layla Mourad

Layla Mourad

She was born in Al Zaher in Abbasia, Cairo in February 1917 to a Jewish Iraqi father, Ibrahim Zaki Mordachi, a famous singer and musician in the twenties, and to a Jewish Polish mother, Gamilah “Salmon” who gave birth to Mourad, Ibrahim, Malak, Mounir and Samihah. Her brother Mounir Mourad was an Egyptian actor. Dawoud Hosni helped her start her career by composing her first song. However, her true discovery was when the prominent Egyptian composer Mohamed Abdel Wahab heard her singing and gave her a role in his film Yahia el Hob in 1938. She converted to Islam before beginning her career in show-business, changing her name to Layla Mourad. Many of her family members followed suit. Layla Mourad gave up acting and singing by the end of the 1950s with a legacy of 1200 songs.

Murad married Anwar Wagdi (1945-1953) and converted to Islam after marriage. They got separated and got back together 3 times. After the third divorce from Wagdi, Layla married the Egyptian major Muhammad Wagih Abaza, officer of the Revolution’s Council of Leadership. He is a descendant of the well-renowned Abaza family . she had Ashraf by him, and later got divorced. Then she married the producer Fateen Abdul Wahab where she gave birth to her son Zaki Fattin Abdul Wahab and they were divorced in 1969. She died in a hospital in Cairo in 1995. She was honored in Cairo International Film Festival in 1998 and granted an honor certificate.

Her famous songs include:
"Ya msafer we nassi hawak"
"Albi dalleli"
"leeh khaletni ahebak"
"Elmaya we el hawa"
"Ya aaz mn Ainy"
"Sanaten wana ahayel feek"
"Etmakhtary"
"El Hob Gameel"
"Monaya fi Korbak"
"Abgad Hawaz"
"Einy Betref", a duet with the Egyptian actor "Naguib AlRaihani"


Nagat al-Saghira

Nagat al-Saghira

Birth name:
Nagat Mohammad Mahmoud

Place of birth:
Cairo, Egypt

Nagat was born to a simple, middle class family. Her father, Mohammad Hosni Effendi was a calligrapher, who played 'ud (the lute). Her elder bother Ezzeldien wrote music, and her younger sister, was film diva Suad Hosni.

Nagat started signing at age 5 when she sang Umm Kulthoum's song ghanni ya karawan (Sing Curlew), at a concert at the Oriental Music Club. She was called al-Saghira (the Young) to distinguish her from the then famous singer Nagat Ali.

Young as she was, she surrounded herself with a group of intellectuals, e.g. Mohammad al-Tab'ie, brothers Kamel and Ma'moun al-Shennawi and Fikri Abaza, who would guide her along with an inbred thoroughness bordering on paranoia as regards her work, which has made her so successful as a singer.

Nagat's famous songs include:
Irga' Elaya (Come back to me)
Alfu Ahwahu (I love you a thousand times)
'As'aluka arrihala (I beg you to let me leave)
La takzebi (Don't lie)
'Ashar wansheghel (Up and worried)
Leih khaletni ahebak? (Why did you let met love you?
Istanani (Wait for me)
Mush hayen 'awadaek (How difficult it is to say good bye?
En kont habibi (If you are my love)
'Oyoun el-alb (Eyes of the heart)
Fakrah (Remember?)
Mahmah al'ayam (Whatever the days)
Mazonish yahabibi (I don't think so love)
Tifriq ketteir (It makes such a difference)
Bahlam ma'k (Dreaming with you)
'Ana ba'sha' el Bahr (I love the Sea)


Shadia

Shadia

Birth name:
Fatma Ahmad Shaker

Date of Birth:
February 2, 1931, Sharqiyah, Egypt

Biography
Shadia has a strong presence as an actress on the screen; her voice as a singer is one of the most beautiful in the Arab world.

In her childhood, she was influenced by her father who sang and played 'ud (the lute). Her first appearance on the silver screen was opposite singer/actor/composer Mohammad Fawzi in the film al'aql fi agaza (The Mind on Vacation). Barely 16 at the time, her acting and singing talents were noticeable.

In 40 years, she made more than 200 films. Early in her career, she formed a successful duo with actor Kamal al-Shennawi. She sang alongside other singers such as Abdel-Halim Hafez, Mohammad Fawzi, Fareed al-Attrach, Kamal Hosni and Munir Murad.

Her first performances made her the dream girl of all young men of her time. She was always cast funny, kindly roles. Her songs were unique and unlike any others.

Until her retirement, she sang more than 700 songs of all genres.

Shadia's only stage play was Raya wa Shekina (Raya and Shekina). Meanwhile, she sang and acted in a number of radio series p align=justify> Filmography
Al-less wal kellab (The Thief and the Dogs)
La tasa'lni man nana (Don't Ask me Who I am)
Ma'boudat al-gamaheer (Adored by the People)
Lahn al-wfa' (Theme of Gratitude)
Dalilah
Merati Mudeer 'am (My Wife, the Director-General)
Aqwa' al-madina (Lights of the City)
Shay'u menn al Khawf (Some Kind of Fear)


Nabaweya Moussa

Nabaweya Moussa

Born on December 17, 1886, Nabawya Moussa was the first Egyptian girl to have a high-school education in 1907 and for 21 years later she was the only Egyptian girl to have this degree. Her name is imprinted on the history of education in Egypt. For many reasons she was said to be the pioneer of women's education in the country.

For nearly forty years (1904-1946), women's education was her main cause. Thanks to her, women were able to go through all the posts of the education process. Earlier, Egyptian women working in this field were allowed only to teach while foreigners worked as managers and supervisors. Her efforts paid off and she was the first headmistress, the first supervisor, the first manager.

When the first non-state-run university was opened in Egypt, Nabawya Moussa, together with other two pioneers; Malak Hifni Nasif and Labiba Hashem, were invited to lecture high-class ladies in order to educate them.

She wrote a very important book called "Fruits of Life in Girl's Education" which, in 1908, was adopted as a curriculum by the then Ministry of Education. A year later, the governor of Al-Fayoum governorate convinced her to be the headmistress of Al-Mohammadia school for girls. In a four-year time the number of the students was doubled. Her achievements in Al- Fayoum, Al-Mansoura and Cairo proved her to be a real pioneer of women's education.

Moussa in Public life

She did not confine herself to education, but she lived as a revolutionary social life. Through the women's movement, she participated in 1919 Revolution. She went into many battles for the sake of Egyptian women trying to get them as many high government posts as possible.


Refa'ah Rafie' Al Tahtawi

Refa'ah Rafie' Al Tahtawi

Refaa Al-Tahtawi was one of the most distinguished and outstanding literary figures of his time.He was a prominent historian, man of letters, translator and journalist. He was characterized by conscious thought, penetrating insight and his ideas were too advanced for his time.Al Tahtawi is one of the banners of enlightenment in Egypt. Moreover,he succeeded in tackling the most difficult economic issues, expressing his worthy views to solve them.

He left behind about twenty works of translations and intellectual heritage which shaped the thoughts of many intellectuals and poiltical figures such as Ali Mubarak, Muhammad Abdo, Ahmed Orabi, Abd Allah Al-Nadeem and Saad Zaghloul, and still shaping the thoughts of generations up till our days.

BIRTH AND EDUCATION:

Refa'ah Rafie' Al Tahtawi was born in Tahta, Upper Egypt, on 15 October 1801. Tahtawi is a man of noble birth. His ancestors assumed positions of authority and responsibility. While a child, Tahtawi enjoyed aristocratic privileges including financial allocations.

When Mohammed Ali came to power, he denied noblemen financial privileges in implementation of his economic reform program. Consequently, Tahtawi's family lived in straitened circumstances. At the age of 12, Tahtawi accompanying his family moved from Tahta to Gerga, Qena and Farshoot.

Meanwhile, Tahtawi successfully learned how to read and write and fully memorized the Koran. When Tahtawi's father died, Tahtawi returned to Tahta and lived with his maternal uncles.

Tahtawi's intellectual talents were soon manifested when he joined Al-Azhar University in 1817. Tahtawi studied under and was deeply influenced by Sheikh Hassan Mohammed Al-Attar, the son of a poor tradesman who wanted his son to work with him. The boy went to Al-Azhar secretly and attended lessons given by Sheikh Al-Amir. When the French occupied Egypt, Al-Attar fled to Upper Egypt. He was of the opinion that Muslim countries should benefit from the knowledge, sciences and educational methods of the West. He was a poet and wrote also on medicine and anatomy.

In 1823, Tahtawi graduated. Immediately after graduation, he worked as a teacher in Al-Azhar for two years. Tahtawi spent most of his time in Al-Attar's house reading Western books which were not available nor allowed at those times. Thanks to Al-Attar.

HIS CAREER AND ACHEIVMENTS:

Tahtawi was appointed imam (religious head of a Muslim community) of an Egyptian battalion till 1826 and later imam of the educational mission Mohammed Ali sent to Paris.

As of the moment Tahtawi trod in Marseille, he decided to be more than an imam. He started learning French as a means of translating Western sciences into Arabic. It took him a month to master the rules of spelling.

Tahtawi believed in the necessity of opening channels of contact between the cultures of both the West and the East. As a result, Mohammed Ali decreed that Tahtawi be a member of the mission. Besides his post as an imam, Tahtawi studied translation. On 19 October 1830, he submitted to a panel of French professors 12 translations of French masterpieces in different fields, some of which were sent to the Cairo-based Bolaque printing house, and the manuscript of the book he wrote during his stay in Paris which is entitled 'Takhlees Al-Ibrease fi Talkhees Paris' (A Paris Profile).

Tahtawi finally received his degree. In 1831, he returned back to Egypt. Prior to his return, reports on his excellence and unchallenged supremacy telling how promising he is were sent to Mohammed Ali. On his return, Tahtawi worked as a translator in Medicine School for two years. He was the first Egyptian holding such a position for it was completely dominated by Moroccans, Syrians and Americans. Meanwhile, Tahtawi managed to translate many books such as "Explaining Anatomy Terminology." Besides his work at Medicine School, Tahtawi took the responsibility of supervising the Preparatory Medicine School.

In 1833, Tahtawi moved to Tobigia School (Artillery School) in Tora where he worked as a translator of engineering and military sciences. There, he took the first step towards his dream of establishing an Egyptian university patterned on the Eastern Languages' School. His plan was to establish, step by step, a number of separate high schools to be incorporated into a university at a later stage. As a start, Tahtawi set up History and Geography School in 1833.

In 1834, plague broke out and Tahtawi had to move to his village Tahta where he stayed for six months spending two of them translating one volume of "Maltibron Geography." When he returned to Cairo, he submitted his translation to Mohammed Ali who awarded and promoted him. Tahtawi then made the suggestion of establishing a translation school which was inaugurated in 1835 and was later named Al-Alsun School. Tahtawi's post in Al-Alsun was technical and managerial supervision, teaching literature and Islamic and Western laws, choosing the books to be translated , reviewing and rectifying translated works as well. Al-Alsun School gradually began to assume the structural form and educational content of modern universities.

Tahtawi, not only was the first to establish an Arab civilized university but was also the first to establish a museum of Egypt's antiquities. In 1835, he submitted to Mohammed Ali a plan to preserve Egypt's antiquities. The plan which was published in Al-Waqa'i newspaper (The Official Egyptian Gazette) stipulated that any antiquities found by individuals should be handed over to Tahtawi in his capacity as Principal of Al-Alsun School. Consequently, Al-Alsun's courtyard became the nucleus of the first antiquities' museum in Egypt.

Tahtawi's interest in Egypt's antiquities was not for artistic reasons only but originally stems from absolute patriotism. He criticized Mohammed Ali when he offered the Obelisk, now standing in the Concord square, to France as a symbol of friendship.

Tahtawi is also considered the founder of the first Egyptian newspaper entitled "Al-Waqa'i Al-Misrea." He is indeed the father of Egyptian journalism. Tahtawi also supervised editing the Military Magazine in both French and Arabic.

In 1841, Tahtawi established the Translation Department as a specialized institution mainly dealing with four branches of knowledge: mathematics, medicine and physics, social sciences and Turkish writings. In 1843, Tahtawi was promoted to the rank of lieutenant colonel. Two years later, he translated the second volume of "Maltibron Geography." Again, Mohammed Ali awarded and promoted him to the rank of brigadier general. Since that date, Tahtawi became known as Refa'ah Bey instead of Sheikh Refa'ah. Then, Tahtawi finished translating that bulky book in four volumes.

After Mohammed Ali's death, Khedive Abbas I came to power with his backward thoughts. He insinuated to the Private Council in a bid to abort Tahtawi's enlightened achievements that Tahtawi should be exiled. Tahtawi was well aware that he is in their power and knew that it was pointless to resist.

Khedive Said came to power after Abbas I in 1854. He declared an amnesty for those exiled to Sudan. Determined to revive the intellectual, cultural achievements of Mohammed Ali reign, Khedive Said appointed Tahtawi member and translator in the Municipal Council. In 1855, Tahtawi was also appointed vice president of the Military School in Al-Haud Al-Marsoud district.

Tahtawi's ambition was behind the establishment of the Accounting School in Al-Qala'a district in 1856. He was also appointed principal of the Royal Engineering and Architecture School and manager of the Educational Buildings' Authority.

During that period, he not only finalized the first project of reviving Islamic heritage but also succeeded in issuing a large number of Arabic books.

As of 1863 to 1873, Tahtawi regained his enthusiasm. His production in the fields of education, translation and writing significantly increased. Under Khedive Ismail's reign, "Diwan Al-Madares"(the Schools' Department) was re-established and Tahtawi was chosen member of such a department. In 1867, he was authorized to outline the statute for organizing national bureaux and was later appointed head of National Bureaux Council. He supervised Arabic language teaching, interviewed teachers so as to choose the best and taught them new teaching methods. He also headed a lot of examination committees in Egyptian and foreign schools as well.

In 1863, he established a translation department devoted to translating new laws. He was appointed director of such a department. As of 1866 to 1868, Tahtawi and his fellows translated the French law, the Ottoman constitution, the civil law and the commercial law as well. In 1870, the Schools' Department issued a cultural magazine entitled "Rawdat Al-Madares"(The Schools' Garden) and Tahtawi was appointed editor-in-chief. He held such a position publishing 6 issues till his death in 1873.

Traits of Tahtawi's educational philosophy:

According to Tahtawi, education was the only way for development. He spent his life in learning, teaching and translating. It seems that from the moment he realized what he could give his own nation, he prepared himself to be a teacher. He believed that the way to civilization starts with education which help people to fathom the significance of life. The traits of his educational philosophy are as follows:

Education is a prelude to progress.

Tahtawi believed that education is a necessity, that man cannot do without it. Man's mind which distinguishes him from all other creatures is the only device that can save mankind. On the contrary, animals can protect themselves only by physical power. Tahtawi asserted the importance of the mind as a power governing man's life. He, following suit of the philosophers of enlightenment, believed in man's ability to change reality so as to meet the needs of the modern age.

Education is essential for youth.

Youth may be exposed to writings against their own culture and moral norms. Only education can save them from falling into the trap of deviation. In this respect, Tahtawi echoed exponents of realism who believe that the key to virtue is education. According to him, girls' education is important for the following reasons:

1- It helps a girl get a suitable husband. 2- It helps women bring up their children. 3- It takes them away from gossiping and pointless chat.

Tahtawi, a pioneer of women emancipation

Al-Tahtawi is undoubtedly the Middle East pioneer of women emancipation movement, the movement Qasem Amin later devoted his life to. He took precedence over all other advocates. However, Qasem Amin's name has always been associated with accomplishments in this regard. This is in part due to the fact that the public opinion at that time was not crystallized enough to fathom Tahtawi's thoughts. Moreover, Tahtawi's writings were mostly directed to and available for government employees and educators.

In 1836, Tahtawi in his capacity as a member of the Education Planning Committee called for certain measures be taken towards women education. The Committee's move was not implemented but gained currency among families of powerful social and economic class. Affluent families hired qualified teachers for their daughters at home.

HIS WRITINGS AND WORKS:

In 1872, Tahtawi wrote "Al-Murshid Al-Amin" (The Honest Guide) where he advocated building schools for girls and stressed that an educated women has a happier family, rears polite well-behaved children and has better job opportunities if necessity demands. Tahtawi's efforts were finally crowned with success when the first school for girls was established in 1873.

Tahtawi's writings

"A Paris Profile," written during Tahtawi's stay in France. "The methodology of Egyptians minds with regard to the marvels of modern literature," published in 1869 crystallizing Tahtawi's opinions on modernization.

"The honest guide for education of girls and boys," published in 1873 and reflecting the main precepts of Tahtawi's educational thoughts. "Tawfik Al-Galil insights into Egypt's and Ismail descendants' history," the first part of the History Encyclopedia published in 1868 and tracing the history of ancient Egypt till the dawn of Islam.

"A thorough summary of the biography of Mohammed" published after Tahtawi's death, recording a comprehensive account of the life of Prophet Mohammed and the political, legal and administrative foundations of the first Islamic state.

"Towards a simpler Arabic grammar," published in 1869.

"Grammatical sentences," published in 1863.

"Egyptian patriotic lyrics," written in praise of Khedive Said and published in 1855.

"The luminous stars in the moonlit nights of Al-Aziz," a collection of congratulatory writings to some princes, published in 1872. Tahtawi's translations

" The history of ancient Egyptians," published in 1838.

"The Arabization of trade law," published in 1868.

"The Arabization of the French civil law," published in 1866.

"The unequivocal Arabization approach to geography," published in 1835.

"Small-scale geography," published in 1830.

"Metals and their use," published in 1867.

"Ancient philosophers," published in 1836.

"Principals of engineering," published in1854.

"Useful metals," published in1832.

"Logic," published in1838.

"Sasure's engineering," published in 1874.

"General geography."

"The French constitution."

"On health policies."

" On Greek mythology."

Tahtawi's death:

At the age of 72, sickness attacked Tahtawi. On 27 May 1873, Tahtawi passed away. His funeral procession headed by Al-Azhar Sheikh made its way through the crowded streets. Tahtawi is buried in Bab Al-Wazir cemetery, Boustan Al-Ulma, Al-Darb Al-Ahmar district near Al-Azhar mosque.


Zaki Naguib Mahmoud

Zaki Naguib Mahmoud

Zaki Naguib Mahmoud is one of the pioneers of enlightenment along half a century. He is "the philosopher of authors and author of philosophers," as Abbas Mahmoud Al-Aqqad put it.

Zaki Naguib Mahmoud was born on February 2,1905 in Damietta governorate. He attended Gordon College in Sudan where his father was working at that time, returned to Cairo and joined the department of philosophy at the Faculty of Arts, Cairo University. He graduated in 1930. Then, he worked as a teacher of philosophy in the secondary stage. In 1974, he was given a scholarship to England to do a doctoral thesis on self-determinateness. There, he knew closely the philosopher of the 20th century Ph.D. Bertrand Russell and the great logician John Eyre.

When he came back, he was appointed lecturer, then, assistant professor and finally professor of philosophy at the Faculty of Arts, Cairo University. Among the distinguished positions Zaki Naguib Mahmoud held are: professor of philosophy in the University of Kuwait, writer in Al-Ahram Newspaper, member in the Supreme Council of Culture, the National Council of Culture and the National Council of Education and Scientific Research.

Zaki Naguib Mahmoud’s encyclopedic reference books on philosophy and literature, not to mention his translations of the masterpieces of philosophy, all contributed to enrich Arabic literature. His intellectual life is divided into two main stages:

• In the first stage, Zaki Naguib Mahmoud laid the foundations of his intellectual production from which and sometimes from the corrective or polemical treatment of which the second stage emerged. He held that disciplined and systematic verification of knowledge is the ultimate object of philosophy and that logical analysis of language is the prime tool to that end. He concluded that knowledge is of two kinds: mental and sentimental.

At that stage, Zaki Naguib Mahmoud wrote:

Symbolic Logic (1951), The Philosophy of Science (1952), The Mythology of Metaphysics (1953) reprinted in 1983 under the title An Attitude Towards Metaphysics, Intellectual Life in the Modern World (1956), The Theory of Knowledge (1956) and Towards a Scientific Philosophy for which he was given the State Incentive Award.

• The second stage began with the publication of The Artist East in 1956 where Zaki Naguib Mahmoud revealed the historical dimension of knowledge and the civilized, structural and comprehensive significance of such a dimension rather than its limited social perspective. It is in that book that he began to discover the main cultural peculiarities of eastern cultures against a background of those characterizing western cultures through dichotomies between the sky and earth, sentiment and reason, good and evil, originality and modernity and so on. He generally attributed the first item of each pair to the East, the second to the West. The two items were not, however, dealt with as being completely separate.

In his later works such as The Poetry of Al-Ghazali and The Attitude of Ibn Khaldun Towards Philosophy, the question of the historical reality of the Arab culture occupied his mind and he became much more interested in the Arab cultural heritage.

His book The Revival of Arab Intellect written in 1970 marks the peak of the second stage. It drew a distinction between the genius of the Arab culture and borrowings from other cultures. The two criteria he established were the nature of creativity and the way borrowing occurs.

In the books mentioned below, Zaki Naguib Mahmoud attempted to shape an integrated philosophical attitude, engage in, criticize and foresee the future of the cultural and intellectual Egyptian and Arab life. These are:

• The Reasonable and the Absurd in our Intellectual Heritage (1975).
• Our Culture Facing the Challenges of the Age (1976).
• Our Intellectual Life (1979).
• This Age and its Culture (1980).
• On the Philosophy of Criticism (1983).
• An Islamic Vision (1987).
• On the Modernization of the Arab Culture (1988).
• Seeds and Roots (1990).

Zaki Naguib Mahmoud was given the State Incentive Award in 1960, State Merit Award in 1970, Arab Educational, Scientific and Cultural Organization Award in 1984 and The American University in Cairo Honorary Doctorate in 1985.

In September 1997, the London-based Association named for Zaki Naguib Mahmoud was established.


Ahmed Ameen

Ahmed Ameen

Ahmed Ameen is one of Egypt's leading intellectuals and men of letters. He lived in the first half of the 20th Century, and had a far-reaching impact on modern Arab thought.

Born in Cairo in October, 1886, Ahmed Ameen enrolled in Al-Azhar University and obtained his alameya degree (Azhar equivalent to the BA) in Islamic Judicial Education in 1911. He was appointed teacher at the Judicial School. Then, he worked as Sharia (Islamic Law) judge.

Ameen was chosen by Dr. Taha Hussein to become a lecturer at Fouad I (presently Cairo) University in 1926 where he worked until he was appointed Dean of the Faculty of Arts in 1939. He also assumed several other positions such as Director of Culture at the Ministry of Education, and Director of the Culture Department at the Arab League in 1947.

Ameen was awarded an honorary Doctorate by the Faculty of Arts. He was a devoted intellectual, who worked on his research with diligence and perseverance. Far from being dogmatic or conventional, he had an innovative and analytical mind. However, he always avoided raising intellectual controversies.

Achievements

Ahmed Ameen wrote more than forty books, the most important of which are:

-"Leaders of Reform in Modern Times": which contains brief biographies of contemporary Arab and Muslim intellectuals and reformers. Each of these struggled to promote science, religion and social activity, and all provided good examples for the younger generations to follow.

- The Islamic Encyclopedia in three parts: Here, Ameen gave thoughtful consideration of the intellectual and rational side of Islamic civilization. The encyclopedia is notably simple in style, rich in information and systematic in presentation. He was most interested in drawing attention to tracing the reasons of backwardness in the Islamic world.

- "The Dictionary of Egyptian Customs and Traditions", which is a valuable and in-depth study of words, phrases, customs, traditions and common sayings prevailing in Egypt since early times.

- "My Life", which is an autobiography, relating his life's journey, since being a child in a poor environment, through his struggle in the cultural, political and public life.

Other Activities:

1. In 1914, , together with other intellectuals, he formed and chaired the "Authentication, Translation and Publishing Commission", which supervised the publication of several major cultural, literary and scientific works.

2. In 1934, he founded and chaired the weekly literary magazine "Al- Thaqafa" (Culture).

3. In 1945, he supervised the creation of what was called "The People's University" which later turned into the Mass Culture Organization, currently known as the General Authority for Cultural Palaces.

4. In 1947, he supervised the foundation of the Arabic Manuscript Institute, which operated under the Arab League, with the purpose of salvaging Arabic manuscripts.


Dr. Sahir al-Qalamawi

Dr. Sahir al-Qalamawi

(b. July 20, 1911; d. May 4, 1997)

At a time when women were still hiding behind the veil, Sahir Al Qalamawi stood as one of several pioneer young women who broke out of their chains and ventured into the world.

She was the first young woman to join the Egyptian (now Cairo) university in 1929 and the only female student among 14 male-colleagues in the Faculty of Arts' Arabic Language Department. She was also the first Egyptian young woman to obtain a Ph.D. in literature.

Given her genius, Dr. Taha Hussein, the then Dean of the Faculty of Arts, took her under his wings. He made her assistant-editor of the University Magazine in 1932, in which he served as Editor-in-Chief.

Career

1933: was the first young girl to obtain a BA degree in Arabic Language; worked in a number of Egyptian magazines: "Qawkab al-Shark" (The Star of the Orient), al-Risalah (The Message), and al-Wadi (The Valley).

1934: worked as a radio broadcaster in the Egyptian Radio Service,.

1936: was the first young woman to lecture in the Faculty of Arts.

1937: obtained her MA degree on Adab Al Khwarij (Dissidents Literature).

1937: was the first young woman to go on a scholarly mission to France to prepare for her Ph.D.

1941: was the first young woman to have a Ph.D. from the Egyptian University on "Folk Literature", based on an analysis and critical study of "Alf Leila wa Leila" "The Thousand and one Nights".

1958: became head of the Arabic Language Department (Faculty of Arts).

1959: became head of the Women University Graduates' Union; and Professor of Folk Literature (Cairo University).

1960: was President of the International Conference on Woman, held in Addis Ababa.

1961: was President of the first Conference on Folkloric Arts.

1962: established a committee to support the Palestinian university students.

1967: became Head of the Egyptian General Authority for Cinema, Theater, and Music.

1968: became Head of the Children's Culture Committee.

1971: became Editor-in-Chief of the Arts Magazine.

Of al-Qalamawi's most prominent publications:

• The Talks of My Grandmother, 1935
• Thousand and One Nights, 1943
• The Dissidents' Literature, 1945
• On Literary Criticism, 1955;
• Dancing Demons, 1964; and
• Sunset, 1965.

She translated Shakespeare's Taming of the Shrew; and Plato's Ion among others.

Amina al-Said

Amina al-Said
(b. May 20, 1910; d. August 13, 1995)

Amina al-Said was born in Asyut and raised in Cairo. She is known as a leading feminist, journalist, writer, and activist in the period before and following the 1952 Egyptian revolution. In 1931 she was among the first women to enroll in Fuad I University, founded in 1908 and renamed Cairo University in 1952. As a protégé of Huda Sharawi, she removed the veil early on and also advanced the cause of women's sports by daring to play tennis on the university campus. She enjoyed success as the author of novels, social tracts, biography, and travel writing.

An avid pan-Arabist, she helped create the Pan-Arab Feminist Union and was also active in the Egyptian Feminist Union. Throughout her career she pressed for the reform of Islamic personal status laws. In the 1940s she became the first paid woman journalist to work for a mainstream publishing house, Dar al-Hilal, and became vice president of the Board of Press Syndicate in 1956. She wrote for al-Musawwar and founded and edited the pan-Arab journal Hawa.

The burgeoning feminist movement underwent severe state repression following 1952, but al-Said endured as the only major feminist from the previous generation to be supported by the government.


Ameen al-Heneidi

Ameen al-Heneidi
(b. October 1, 1925; d. June 3, 1986)

Birth name

Mahmoud Ameen al-Heneidi

Place of birth

Mansoura, Daqahliyah, Egypt

He was a comedian, whose humor showed in all his work, on stage, on the screen and on the radio.

Al-Heneidi was born to a father who worked in Kutab (a one-class school where only the Holy Quran would be memorized). Early in his childhood years, he would do imitations of the comic monologues of Ismail Yassein and Soraya Helmi. Due to the nature of his father's work, he was forced to move from one governorate to another.

Having finally arrived in Cairo Heneidi enrolled in the Shubra Secondary School, and joined the School Acting Group. Later on he would move between colleges only to settle down in the Institute of Sports and Athletic Training.

After graduation, he worked in Sudan. There he met stand-up comedian Mohammad Ahmad al-Masri (aka Abu-Lam'a). Heneidi took up acting as a profession after he returned home, and after he met comedian Abdul-Men'eim Madbouli and script-writer Youssef Ouf. Together they contributed to the program "An Hour for Your Heart". Heneidi's impersonation of Sheikh Hassan in the play Shafiqa al-Qebteya launched him into the acting profession.

Heneidi formed his theatrical group under the name "United Artists" which staged around 20 plays.

Heneidi gave very little attention to the silver screen, the stage being his ultimate passion.

In 1956, he received a Diploma from the Preparing Leaders Academy.

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